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Richard Marx performed the song 'Believe In Me' from the 2022 album 'Songwriter' LIVE at Fallsview Casino Resort in Niagara Falls on 10/26/2023. Richard Noel Marx (born September 16, 1963) is an American adult contemporary and pop rock singer-songwriter. 2022 marks Richard Marx’s thirty-fifth year as a recording artist, and his thirty-eighth as a professional songwriter. 1984’s “What About Me,” released as a trio by Kenny Rogers, Kim Carnes and James Ingram was co-written by Richard and became not only his first song recorded by an artist, but his first number one as a writer. On September 30th, Marx will release his unique and ambitious new album, simply and appropriately titled Songwriter. Songwriter contains twenty tracks crossing four different musical genres. Five pop songs, five rock songs, five country songs and five beautiful ballads. “I’ve had such an amazing opportunity in my songwriting career to write all kinds of songs with, and for, all kinds of artists,” says Richard. “It finally occurred to me that there was no reason not to record an album of my own that touches on multiple genres I love.” While he included a few existing songs that were written in the recent past, the bulk of Songwriter was created over the past year. “For instance,” Richard says, “I wrote a modern rock song a few years back called “Just Go” that I really love but I didn’t feel it fit the vibe of my last two albums. The band and I played it live a few times and people seemed to really love it, so I’m happy to finally get it out there.” While several of the songs on Songwriter were composed by Richard alone (as on all of his previous albums) collaborations make up the majority of the tracks, including some co-written with various music superstars. “One Day Longer” was written by Richard and his longtime friend, Keith Urban, who has taken previous collaborations by the two (“Better Life” and “Long Hot Summer”) straight to the top of the country charts. “Breaking My Heart” was co-written with Darius Rucker and former Evanescence founder, David Hodges. “My Love, My Enemy” is a gem of a rock song written by Richard and another longtime friend and collaborator, Vertical Horizon’s Matt Scannell. “One More Yesterday” was composed with Chris Daughtry and Lifehouse’s Jason Wade. And a new ballad, “Always” is the creation of Richard and one of his lifelong heroes, the legendary Burt Bacharach. “The experience of sitting in a room and writing a song with Burt is something I consider one of the greatest thrills of my life. That we wrote a song we’re both so deeply proud of and in love with makes me all that much more grateful. Plus, we’ve become really good pals. Burt is ninety-four and all he wants to do is write more great songs. He’s such an inspiration.” Richard Marx has sold more than 30 million albums worldwide, starting with his self-titled debut which went to No. 8 on the Billboard Top 200 chart. The album spawned four Top 5 singles, including “Hold on to the Nights” and “Don’t Mean Nothing,” which earned him a Grammy nomination for Best Male Rock Vocal Performance. His follow-up, 1989’s Repeat Offender, was even more successful, hitting No. 1 and going quadruple-platinum with two No. 1 singles, “Satisfied” and “Right Here Waiting.” He has since made history as the only male artist whose first seven singles reached the Top 5 on the Billboard charts. Richard has also written on a No. 1 single in each of the last four decades, an accolade previously only reached by Michael Jackson. He has written with and for numerous artists, including Barbra Streisand, Keith Urban, Kenny Rogers, Celine Dion, Chicago, Natalie Cole, Kenny Loggins, Vince Gill, Daughtry, The Tubes, Martina McBride, Lifehouse, NSYNC, Michael Bolton, Vixen, and Josh Groban, He also went on to earn a 2004 Song of the Year Grammy for co-authoring Luther Vandross’ “Dance with My Father.” Overall, he has scored 14 No. 1 singles both as a performer and as a songwriter/producer, revealing him a true multi-talented performer who continues to challenge himself and his fans. @experience.livimedia @richardmarx @fallsviewcasinoresort9233 @niagarafalls #livi #livimedia #relivitheexperience #richardmarx #believeinme #songwriter #fallsviewcasinoresort #niagarafallsviewcasino #softrock #pop #contemporary #adult #poprock #fypシ #fyp #fypシ゚viral #fypyoutube

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Ever since I saw the Beatles on the Apple Studio’s rooftop with John Lennon playing an Epiphone Casino, I have thought they were a very cool looking guitar. The Beatles made anything look cool. It was not until I got to play a Casino that I realized why John was playing one to begin with. More on this later. The guitar’s sales doubled in 1965 and 1966. Some attribute this to the Beatles. This has been called the “Beatles Effect” where people would see the Beatles wearing or using an item and the sales for that item would shoot up. George Harrison and John Lennon were both seen playing Casinos during their final tour dates as a band. It is not hard to jump to the conclusion about their influence. Even at this late date I still experienced that very same “Beatles Effect” and purchased my guitar. Listening to the song Don’t Let Me Down written by John Lennon the snarl of the rhythm guitar just wanting to break up into overdrive gets me every time I listen to it. It is something basic and visceral. Video link in this video’s description. https://www.youtube.com/watch?v=NCtzkaL2t_Y The Casino was introduced in 1961 and sold until now with a short hiatus in the early 70s. The Epiphone Casino does not really have a direct Gibson model that it is a copy of. A lot of folks would compare the Casino because of its exterior looks to an ES-335. The 335 would not be the Gibson model that the Casino is most like. The Gibson ES-335 is a semi-hollow bodied guitar with a center maple tone block in the body and two hollow chambers on either side of the tone block. The Gibson ES-330 is an archtop guitar with a hollow body. There is not a center tone block of wood in the body of the 330. Like the ES-330 the Casino is also a hollow bodied guitar. When you look at both the modern ES-330 and the Casino next to each other the Casino appears to be a shorter or smaller guitar. With the modern version of the ES-330 the neck join is now at the 19th fret like the 335. The Casino neck joins the body at the 16th fret. This means the neck is set further into the body making the guitar look shorter. The guitar like the others stills has the 24.75”- or 628.65-mm scale length. My guitar is made in China. New the Casino is listed for $699 and used the guitar goes for $355 to $549 depending upon condition. There is a US made version of the Casino that sells MSRP of $3499. Quite the driver to make a person give Chinese made guitar a second look. There is a less expensive version of the Casino line called the Casino Worn series which retails for only $499 new. I have not done a comparison between the two models yet. The body is a double cutaway hollow body made of maple with a gloss finish. This model of the Casino comes in three colors currently: Natural, Casino Turquoise, and Vintage Sunburst (the finish on my guitar). The fit and finish of the guitar is excellent and I cannot find any flaws. The guitar is amazingly light weight. My guitar weighs 6 pounds and 7 ounces or 2.94 kilos. I immediately thought there would be neck dive. How could you have a hollow body guitar and not have neck dive. I put a strap on and for the most part the guitar balances. There is a slight tendency to lean toward the neck. The guitar is basically an acoustic. The resonance of the guitar unplugged is amazing. Comparing to a semi-hollow guitar like a 335 the difference is easy to discern. When unplugged, there is much more volume, bass, and mid tones when you play a Casino as compared to a semi-hollow bodied counterpart. The Set-neck is made of mahogany with an Indian Laurel fretboard. With the SlimTaper ‘60s D shaped neck it is comfortable to hold in your hand and play. The fretboard has a flat 12-inch radius. Cosmetically the binding and pearloid parallelogram inlays really make the guitar stand out. Saying parallelogram gives me PTSD from the days of me being in high school and being miserable in Geometry. The guitar has a Set-Neck with a neck join at the 16th Fret. There are 22 Medium Jumbo frets. I found no sharp edges on the sides of the fret board and there was no fret rocking anywhere. Nut Width 1.679" or 42.67mm and the nut is a Graph Tech NuBone nut. The scale length of the guitar is 24.75" or 628.65 mm. Pickup Configuration is Single coil Single coil with two Dogear P-9OT ClassicT™ P90 pickups. The electronics consist of 4 pots, a 3-way toggle pickup selector switch, and an output jack. I have a love affair with P90 pickups in general. To me they are the fundamental basis for garage style punk and are the pickups on a lot of my favorite guitars. Some of them only have a single P90 pickup installed. What else do you really need? The Casino is an absolutely beautiful guitar and a blast to play. My recommendation is I would pickup a used model for a good price and you will have a guitar the most definitely punches well above its price.

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